As Jawan crosses ₹1000-cr mark, a breakup of who gets what | Bollywood


Shah Rukh Khan‘s Jawan crossed the 1000-crore mark on Monday and is be only the third Hindi film to do so, and the second one this year. Aamir Khan was the first star to enter the club, with his 2016 biographical sports drama Dangal. Shah Rukh’s Pathaan earlier this year also achieved the feat. (Also read: Jawan grosses 1000 crore worldwide in just 18 days)

Jawan box office collection: Shah Rukh Khan is set to cross <span class=
Jawan box office collection: Shah Rukh Khan is set to cross 1000 crore mark.

As we get the third 1000-crore Hindi film, here is a look at what the numbers mean, and who gets what portion of that huge amount.

Producers

Roughly, 45-50% of the net box office collection goes to the producer. In the case of Jawan, Red Chillies Entertainment will take the major share of the collections.

Exhibitors

The exhibitors come next in the hierarchy of profit sharing and get 30-40% of the total box office collection (gross collection) after the entertainment tax has been deducted (nett collection).

Distributors’

The distributors get a 15-20% share of the total box office collections for a film.

Lead actors

All the films that have crossed 1000 crore mark are headlined by big Bollywood stars – Shah Rukh Khan and Aamir Khan. These actors have been taking a percentage profit share in the film’s business for some time now. Roughly, five percent of the total box office income reaches the lead actor’s kitty.

A simpler breakup of box office collection

Producer and film business analyst Girish Johar explained the division in detail, “If the ticket is for 100, roughly 25 is for the entertainment tax. 75 is shared between distributor and exhibitor, broadly divided into two halves. From the 37.5% of the ticket price, the distributor takes broadly 10% and the rest goes to the producer.”

He added, “If the producer takes 30 of the 100. Of the producer’s share, the lead actor takes around five percent of the producer’s share of the box office collection. The lead actors also take a profit percentage of all revenues normally – that includes the satellite, digital, and music rights as well.”

How did 1000 crore-mark become the new 100 crore-mark within a decade?

When Dilwale Dulhaniya Le Jayenge scored a hundred crore rupees at the box office, it was a new benchmark, and now it is a norm for big films to cross that number in their first weekend itself. Apart from inflation and increasing spending power in the country, a major reason for the rise in these numbers is the expansion of the cinema multiplex chains.

Girish agreed: “Definitely, the multiplexes and their increased ticket prices have played a major part. Earlier we were 1000-2000 crore industry and now we are clocking more than 5000 crore. Now, they contribute around 70% of the Hindi market box office, including dubbed (Hollywood). They are still expanding as so many cities in the country are virgin cities for multiplexes.”

CEO of Galaxy Cinemas, Rajkot, Rashmikant Bhalodia, also agreed that the high ticket prices in multiplexes have played a major part in increasing the box office figures over the years.

The contribution of multiplexes

Executive Director of PVR INOX Limited Sanjeev Kumar Bijli said, “There were fewer multiplex screens earlier, with penetration in Tier-2 and Tier-3 cities, multiplex screens have increased and now it takes less time to reach the magical figure (of 1000 crore). The growth of large screen formats such as IMAX, PXL, BIGPIX and experiential formats like 4DX, MX4D, ICE for screening these movies have also contributed.” He added that cinema owners accommodating maximum shows (practically possible), based on the audience demands, has also played a role in making these movies bigger at the box office.”

He also talked about the changes in cinema viewing patterns post-pandemic. “The pandemic caused a temporary disruption to cinema-going habits of people as an out-of-home entertainment destination. Once the content started resonating with the audiences, we witnessed never ever achieved box office numbers in the history of cinemas clearly proving that there are no set boundaries for a movie’s success.”

Sajeev Kumar also said, “Successful movies in multiplexes can be given longer runs, and that allows them more time to attract viewers and generate revenue. This extended screening period contributes significantly to a movie’s overall score,” he concluded.



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